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MÁRQUEZ is very adept at melodies and atmospheric soundscapes. Expect only high quality music selected with all the love in the world.
Guten Flug !

ALMACENES RUIZ is a festive cocktail of love mixed with the finest cosmic-italo electro-disco gems.

https://www.youtube.com/@vjmarquez/videos

"Daughters of Darkness spinning their entrancing web of disco rock floor fillers from ABBA to Zappa. A voyage through the 70s, and 80s, til that forgotten song buried deep in the corner of your brain. No Guilt, All Pleasure.
We beseech you all, follow the call of the disco ball! "

https://www.instagram.com/blackwidows_kvlt/

Ronny Wærnes ist bekannt als Noise-Musiker und Klangkünstler sowie für seine Improvisationen, mit denen er die lokale Szene aufmischt: ob als Solokünstler oder in Bands und Konstellationen wie Blaakraft, Psykisk Tortur, oder als Gastmusiker bei Faust, derschlaeger, Stadtfischflex, um nur eine Auswahl zu nennen. Seine Live-Sets sind ein dynamischer Mix aus Noise und Ambient

Diese Bandbreite spiegelt ein einzigartiger Sound wider: „Acoustic or digitally generated no-frills-noise or sounds are run through various effects and remedies to emerge as a unique Arctic sound expression, previously surprisingly unknown, but with an energy and live performance that fills the room with a massive soundscape.”

Ronny hat das Avantgarde-Festival in Schiphorst bei Hamburg mehrfach besucht und ist in Bands oder solo an verschiedenen Orten in Deutschland, England, Wales aufgetreten – und natürlich in Norwegen, da er in der norwegischen Arktis wohnt.

(English)

Ronny Wærnes is known as a noise musician and sound artist, improviser, and local scene agitator. As a self-exposed solo artist or in bands and constellations such as Blaakraft, Psykisk Tortur, or as a guest musician in Faust, derschlaeger, Stadtfischflex, or in other collaborations that are too many for the artist to keep track of.

Acoustic or digitally generated no-frills-noise or sounds are run through various effects and remedies to emerge as a unique Arctic sound expression, previously surprisingly unknown, but with an energy and live performance that fills the room with a massive soundscape.

Ronny has visited avantgarde-festival Schiphorst, near Hamburg on many occasions, and has performed in bands or solo various places in Germany, England, Wales, and of course in Norway, as he resides in the Norwegian arctic.

Weitere Infos:

https://www.facebook.com/ronny.waernes
https://www.youtube.com/watch?v=A-4zlP2UbQo&pp=ygUNcm9ubnkgd8Omcm5lcw%3D%3D
https://soundcloud.com/gotogate/sets/mixed-shorts

Bial HClap is a music producer and DJ with an important legacy for hip hop in his hometown Guadalajara. In 2005 he founded the label Handiclap Records, Bial Hclap has collaborated with Pato Machete, Capricornio Man (El Gran Silencio), Dr. Shenka (Panteón Rococó), to name a few. He has performed in clubs and festivals in Europe and America such as CPH Distortion, MAPAS, SXSW, Pilsen Fest and Carnaval de las Culturas. He has also shared the stage with Chico Trujillo, Panteón Rococó, La Yegros and Mon Laferte. Bial Hclap has positioned himself as one of the most relevant remixers and producers of hip hop, neo cumbia and global bass in official remixes for Los Mirlos, Fidel, Sonido Gallo Negro, La Dame Blanche and Celso Piña. He has been released by labels in America and Europe such as Buddha Bar (France), Worldwide Records (Mexico), Tropical Bass Records (Germany) and more.

Koonda Holaa, is a Czech musician. Solo project started as an experimental electro, later transformed in an experimental lo-fi noire blues'n'country driven performance.
A native of the Czech Republic migrating between the US and Europe, Koonda Holaa describes his work as psychedelic country/noir western. At first he played bass guitar, later guitar. In the 1980s he was in the band FPB and later in the duo Pseudo Pseudo with drummer Milan Novi, with whom he released the album Boucher Voyager (1996).
After the Velvet Revolution he settled first in Germany and later in the USA. He briefly returned to the Czech Republic, performing with Už jsme doma, but in 1997 he went back to the USA. For a long time he performed only in the USA, but over time he started to return to Europe from time to time.
He released his first album as Koonda Holaa in 2001 under the name Cocky Cutie's. He later released the albums 10 Acres of the Finest Sand (2009), The Shit Man (2012), Apnea (2015) and Still There Waiting for Me (2019). Mike Watt and Steve Mackay of Iggy and the Stooges were featured on Apnea. He also performed with Lydia Lunch.

Free Entry ( Donations welcome!)

L a u r a  D e A n g e l i s
(choreography, dance)

A b o u t  T h e  P i e c e :

Beers for Science is where standup comedy meets contemporary dance. Follow the trajectory of an actual evening amongst a typical group of friends drinking five beers, and episodically observe the stages of inebriation unfold in front of you in the form of a satirical pseudo-academic presentation.

A b o u t  T h e  D a n c e r :

Laura DeAngelis is a dancer and performer based in Berlin. Their involvement in professional performance began at the early age of 16 with what is now The Rock Dance Collective under choreographer Cleo Mack in New Jersey, USA. At the same age, they started creating and performing their own choreographic works. Laura received a BFA in Dance at The Ohio State University, in 2019 where they trained under artists Like Bebe Miller, André Zachery, Susan Hadley, Mitchell Rose and others. They focused on dance composition while simultaneously pursuing a BA in History. At the time they also began their path in dance film and photography. Their film TNT: Today Not Tomorrow was featured in the San Succi Dance Film Festival in Dallas, Texas in 2017. At the end of their Bachelors’ career, Laura was artistic director of their first entirely self-produced and created multimedia production, Post Memoriam, which awarded them their degree with Honors and Distinction in 2019. After their studies, Laura continued their freelance dance career in Chicago, where they also began teaching Yoga full-time. During their time in Ohio and Chicago, Laura created a collaborative series of dance-theater hybrid works with artist Josh Anderson, The Worst of the Best of Us. In addition to university performances, their work was performed at the Cleveland Dance Festival and the JELLO: Performance Series Episode II in 2019. Laura continued working for the JELLO series, performing in their work Jerry’s Map at the Intuit Arts Center in Chicago. Working for JELLO, they also co-curate their dance film festival centering BIPOC artists titled JELLO: Playback in 2020. Laura was a collaborating artist with StilGo Dance+Tech, where they performed, choreographed, and assisted director Alexandra Stillianos in administrative work. Their debut work Slip performed at Side Street Arts in 2021, after their film Siren Redress was featured in the Going Dutch Dance Film Festival in 2020 They also continued their career as a dance photographer touring the United States with the Hall of Fame Dance Showcase. After three years in Chicago, Laura moved to Berlin to pursue their MA in Photography. There, their work shifted from being an academic narrative to more emotional. Laura performed for the first time in Berlin at Uferstudios for The Market of Wisdom in 2022 with an improvisationally based solo. They subsequently performed a dance-theater hybrid work titled Glitch for the second annual Manifest-IO at Alte Munze in 2024. Laura performed in Chapter 12 of The Monuments series at Kühlhaus in 2024 and 2025 under the direction of Jaša Mrevje-Pollak. Laura is now working alongside Armonia Stamataki to create their multimedia work In Our Clubhouse, which was performed at Bande á Part in September of 2024, and was featured in their event Can I Say Something organised at the LCG ARTLAB Gallery in Neukölln, and Brot Fabrik in Weisensee in October 2025.

Text: Laura DeAngelis

https://www.instagram.com/__lauradeangelis_/
 

8:00 pm TICKETS at the door! The dice will tell you what to pay.

Limited space, come early!

Preisinformation: 8-10€

Wenn Monster mit toten Hühnern Kuchen essen … das klingt erst mal absurd. Aber „wenn eine Idee am Anfang nicht absurd klingt, dann gibt es keine Hoffnung für sie“, so Albert Einstein. Wir feiern 30 Jahre Haus Schwarzenberg! Das natürlich auch beim Hoffest 2025! 1995 von engagierten Kulturschaffenden und Mitgliedern der Künstlergruppe Dead Chickens gegründet, deren kinetische, monströs schöne Skulpturen das Haus bis heute zieren, feiert der Schwarzenberg e.V. sein 30-jähriges Bestehen. Drei Jahrzehnte unabhängige Kunst und Kultur im Haus Schwarzenberg stehen für verwirklichte Ideen – und geben Hoffnung!

Die bunte Vielfalt des Hoffest-Programms spiegelt eine bewegte Hausgeschichte explosiver Kreativität wider: An allen (un-)denkbaren Orten der Höfe entflammt ROC ROCIT, Meister der Straßen- und Perfor­man­ce­kunst, zwischen Kaba­rett, Theater, Zirkus und Freakshow pure Lebensfreude. Das Neurotitan lädt mit derJubiläumsausstellung „Nerotitan:B-Side“ in eine Oase der Gestaltung: Live Drawing Performance, und DIY-Print-Workshop lassen auch die jüngsten Kunstbegeisterten ihre schöpferischen Kräfte austoben, während die Ausstellungsräume mit Bar und DJ-Set zugleich zur Chill-Out-Area werden. Die kleinen Kreativen erwarten außerdem eine Trickfilmwerkstatt und bizarr-charmante Shows im Monsterkabinett. Das legendäre Event Tattoo Berlin mit eddylirious ink sticht in diesem Jahr mit besonderem Programm hervor: Das Kinder-Klebe-Tattoo lässt die jüngsten Gäste selbst zum Kunstwerk werden, bevor live auf der Bühne im Eschschloraque für das Jubiläum entworfene Tattoos gestochen werden. Natürlich darf auch das für Erfrischung sorgende SNIPER Art-Kiosk nicht fehlen; ausgewählte Speisen liefert in diesem Jahr CC.Gambeex’s PonteCarlo.

Über das gesamte Haus erstrecken sich fesselnde Soundscapes: Im Many Tentacles ziehen Katov Syn(th), Dikolson & Roman Dzacar in einen magischen Bann aus Field Recordings und Experimental Acoustic-Electronics; Atxa bespielt das Eschschloraque mit genreübergreifenden Beats und atmosphärischen Sounds, bevor die Mainacts live den 3. Hof einnehmen: VORISCHT KINDER sind nicht nur die Begründerinnen des Alkopop, sondern treiben mit einzigartigen Auftritten und dadaistisch-feministischen Texten Zustände von Lust, Wut, Rausch und Sinnlosigkeit auf die Spitze – schließlich klingt es so, „als hätten sich Tic Tac Toe ein paar Instrumente rangeschafft und mächtig Pilze reingepfiffen.“ CHRIS IMLER, legendärer Schlagzeuger und Musiker, ist bekannt für dynamische Live-Shows, die, gewollt chaotisch und impulsiv, bei aller Berliner Straßenhärte von Herzen kommen! So entsteht das Eigensinnige zwischen Avantgarde und Art-Pop eines „hochgeschätzten Grandseigneur des Berliner Undergrounds“ (taz) ­– ein düster-tanzbarer Sound. Daran schließen Cmba & Courtroom Drama an, durchqueren das „Basskontinuum“ und erkunden experimentelle Sounddesigns zur Aftershow im Eschschloraque.

Die Monster werden also in jedem Fall tanzen, wie sie es seit Jahrzehnten tun – lärmend, ächzend! Ihre Mechanik erzählt von einem künstlerischen Freiraum in Berlins Mitte, das Hoffest von Lust, Rausch und liebenswerten Freaks, die für die Kunst brennen und ihrer kreativen, charmant-bizarren Avantgarde-Art-Explosion – lärmend, leidenschaftlich! Gut, wenn das erst mal absurd klingt. Oder mit Vorsicht Kinder gesprochen: „Fuck the Banana!“

Text: Vera Fischer

Ganzes Programm: HIER

@1.-3. Hof //Performances in den Höfen

14-19 Uhr // Roc RocIt

In allen denkbaren und undenkbaren Win­keln der Höfe begeistert Roc RocIt, legendärer liebenswerter Freak und Koryphäe der Straßen- und Performance­kunst, mit purer Unterhaltung, Lebensfreude und Mut!

„Ich mache alles: Straßenauftritte, Techno-Festivals, Punk-Rock-Shows, Kaba­retts, Burlesque, Theater, Zirkus, Freakshows, was auch immer!

Es ist kein Zirkus, keine Sideshow, es ist dazwischen, und deshalb passt es zu jedem Publikum.“ Roc erschafft die großartigsten Dinge für jede Altersklasse. Und wenn er nur eine Jonglierbox und eine Feuerausrüstung benötigt, Roc entflammt jeden Ort!